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Subscribe to Boston Baroque’s
2007–2008 Season

Enrich your intellectual and
emotional world...

Encounter some of the most moving
and beautful music in history...

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For information on group discounts, call the Box Office at 617.484.9200.


Picasso, The Lovers, 1919, © 2007 Estate of Pablo Picasso/Artist Rights Society (ARS)
Photo: Rèunion des Musées Nationaux/ Art Resource, NY

Mozart, Così Fan Tutte
Friday, October 12, 7:30 pm
Saturday, October 13, 7:30 pm
NEC’s Jordan Hall
Semi-staged. Sung in Italian. English supertitles.
Opera introduction at 6:30 by Harvard Theatre
    Professor Robert Scanlan

Testing a theory about the fickleness of women, two soldiers dress in disguise and proceed to woo each other’s fiancées. Will the women succumb or won’t they? What unfolds is a delicious brew of humor, sexiness, cynicism, and touching humanity set to some of Mozart’s most sublime ensembles and arias. Check your political correctness at the door and join us! The stellar cast, all brilliant singers and comedic actors, are drawn from the MET, New York City Opera, Glimmerglass, Santa Fe Opera, San Francisco Opera, and other great opera houses around the country: Lauren Skuce, Jennifer Holloway, Vale Rideout, Hugh Russell, Kevin Burdette, and Sara Heaton.

“Lauren Skuce [as Fiordiligi] gave a splendid performance, singing with warm, rich tone and endless agility.” ( New York Times)

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Musician Angels, Hans Memlich
Handel’s Messiah
Friday, December 14, 7:30 pm
Saturday, December 15, 7:30 pm
NEC’s Jordan Hall
Boston’s Grammy-nominated

Amanda Pabyan, soprano
Alan Dornak, countertenor
Kerem Kurk, tenor
Kevin Deas, bass-baritone

People first come to hear Martin Pearlman’s stunning interpretation of Handel’s Messiah because it is Grammy-nominated and internationally acclaimed. But they return, year after year, because they find it so personally moving. Join us in exquisite Jordan Hall to experience both the grandeur of Handel’s vision, and the intimacy as well.

“The history of recording has not seen a more beautifully styled or elegantly sung Messiah than this one…brilliantly focused and flooded with light.” (Detroit News & Free Press)

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Tellurium-planetarium. Italian, 18th cent. Bologna. Photo: Erich Lessing/ Art Resource, NY.
Gala New Year’s Eve & First Day Concerts
Monday, December 31, 8:00 pm
Tuesday, January 1, 3:00 pm
Sanders Theatre • Free Parking
Intermission Champagne Reception sponsored by
    Cambridge Trust Company

Vivaldi, The Four Seasons
Jean-Fery Rebel, Les Élémens (The Elements)
J.S. Bach, Wedding Cantata, BWV 202

Christina Day Martinson, violin soloist
Amanda Forsythe, soprano
Marc Schachman, oboe

“Martin Pearlman sure knows how to make Boston baroque!” (Boston Herald)

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Pantaleone, King Arthur. 1166. Floor mosaic. Otranto, Italy. Photo: Erich Lessing/ Art Resource, NY.
Purcell, King Arthur
Friday, February 29, 8:00 pm
Saturday, March 1, 8:00 pm
NEC’s Jordan Hall
Introductory talk at 7:00 pm

Purcell’s joyful, witty masques for Dryden’s play King Arthur are an inspired piece of musical theater and the composer’s most successful stage work during his lifetime. The famous Frost Scene, with its shivering, icy music is just one of the many evocative, beautiful depictions in this delicious musical entertainment. As we did with Fairy Queen, we will tell this story with a modern spoken narration, this one incorporating some of the original Dryden.

Kristen Watson, soprano
Marc Molomot, tenor
David Kravitz, baritone
Narrated by Robert Pinsky, former U.S. Poet Laureate

“A crowning achievement…Boston Baroque’s delightful performance brought a full palette of pleasures.”
(Boston Globe on Purcell’s Fairy Queen)

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© DigitalVision
Haydn, The Creation
Friday, May 2, 8:00 pm
Saturday, May 3, 8:00 pm
NEC’s Jordan Hall

Haydn’s Creation—one of the greatest works of the choral repertoire—closes the season on a grand note. Haydn tells us that every day during its composition, he would pray that he could sustain the highest level of inspiration, and indeed he succeeded, from the opening depiction of chaos through the creation of a new world. At the time of its premiere, Haydn was already considered the greatest living composer and this oratorio was seen as his crowning achievement. Tickets were hard to come by, and the police had to be brought in for crowd control. So, be warned—buy your tickets early!

Sari Gruber, soprano
Brian Stucki, tenor
Kevin Deas, bass-baritone

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