Homeaboutseasonticketsrecordingsnewspressgivingcontact

Subscribe to Boston Baroque’s
2008–2009 Season

Enrich your intellectual and
emotional world...

Encounter some of the most moving
and beautful music in history...

Subscribers enjoy...

  • The best seats
  • 15% discounts on additional tickets and CDs
  • Easy ticket exchanges
  • Free ticket replacement
  • Lively learning opportunities
  • Discounted parking
  • Special BB presentations at Boston University

 

Click here to subscribe!

Call 617.484.9200 to order single tickets.

For information on group discounts, call the Box Office at 617.484.9200.


Chess King © George B. Diebold / Corbis

Handel, Xerxes (Serse)
Friday, October 24, 7:30 pm
Saturday, October 25, 7:30 pm
NEC’s Jordan Hall
Opera introduction at 6:30 pm
Semi-staged. Ned Canty, director.
Sung in Italian. English titles.

Featuring the extraordinary male soprano
Michael Maniaci in the title role.

Composed in 1738, Xerxes was among Handel’s last great operas. The tale of high-born romantic intrigue centers on Xerxes, King of Persia, and includes bravura arias, comedy, passion—and “Ombra mai fu,” the beautiful aria better known as “Handel’s Largo.” The stellar cast includes Amanda Forsythe, Matthew White, Ava Pine and Mark Schnaible.

“Energy, fire and sparkle!”
(Opera News on BB’s performance of Handel’s Semele)

BACK TO TOP


Giacomo Sementi, Allegory of Fame, Alinari/Art Resource, NY
Handel’s Messiah
Friday, December 12, 7:30 pm
Saturday, December 13, 7:30 pm
NEC’s Jordan Hall

People first come to hear Martin Pearlman’s thrilling interpretation of Handel’s Messiah because it is Grammy-nominated and internationally acclaimed. But they return, year after year, because they find it so personally moving. Join us in exquisite Jordan Hall to experience the intimacy, as well as the grandeur, of Handel’s vision.

Tamara Matthews, soprano
Alan Dornak, countertenor
Keith Jameson, tenor
Kevin Deas, bass-baritone

“The oratorio SIZZLED with biblical fervor, religious witness and theatrical vividness.” (Boston Herald)

BACK TO TOP


Jupiter Images
Gala New Year’s Eve & First Day Concerts
Monday, December 31, 8:00 pm
Tuesday, January 1, 3:00 pm
Sanders Theatre • Free Parking
Intermission Champagne Reception sponsored by
    Cambridge Trust Company

J.S. Bach, Violin concerto in E Major
Handel, Concerto Grosso in G Major, Op. 6, No. 1
Handel’s dramatic cantata, “Agrippina condotta a morire”
J.S. Bach, Orchestral Suite No. 3 in D Major

Kristen Watson, soprano
Christina Day Martinson, violin

“Boston Baroque makes Handel bounce, caper, glide, and sing!” (The Stranger, Seattle, WA)

BACK TO TOP


Gilded Door, Versailles, © Adam Woolfitt / Corbis
Gems of the French Baroque —
With Modern Dance

Friday, March 6, 8:00 pm
Saturday, March 7, 8:00 pm
NEC’s Jordan Hall
Introductory talk at 7:00 pm

Charpentier, Missa Assumpta est Maria
Delalande, Te Deum
Rameau, Pygmalion (opera-ballet)

The French Baroque repertoire is rich, fascinating, colorful—and too little heard in this country. This program offers a cross-section. Charpentier’s mass is extraordinarily beautiful and deeply introspective, while Delalande’s Te Deum is extroverted and celebratory. Rameau’s opera-ballet explores the myth of Pygmalion, the sculptor who falls hopelessly in love with the statue he has carved of a beautiful woman.

Pygmalion features dancer/choreographer Marjorie Folkman, former principal with the Mark Morris Dance Group.

BACK TO TOP


Mozart Celebration, © Stefan Puchner / dpa / Corbis
Mozart & The Haydns
Friday, May 1, 8:00 pm
Saturday, May 2, 8:00 pm
NEC’s Jordan Hall
Introduction at 7:00 pm

Michael Haydn, Requiem in C minor, for the death
    of Archbishop Siegmund
W.A. Mozart, Per Questa Bella Mano, K.612, for bass,
    double bass obbligato, and orchestra
F. Joseph Haydn, Symphony No. 102

Michael Haydn, Franz Joseph’s younger brother, was a fine composer whose most powerful work can be found in his choral music; this Requiem greatly influenced the Requiem of Mozart. Mozart’s concert aria features BB bassist Deborah Dunham, performing in the specialized “Viennese tuning” of the time. Joseph Haydn’s Symphony 102 is one of the most brilliant of the twelve London symphonies that capped his symphonic career.

Hyunah Yu, soprano
Ann McMahon Quintero, mezzo-soprano
Kerem Kurk, tenor
Kevin Deas, bass-baritone

BACK TO TOP

3- , 4- and 5-concert subscription packages: $104 to $336.

To subscribe on line, click here.

For ticket information & sales, call 617.484.9200.

Contact us for a free brochure.