Upcoming concerts


OPERA: L'incoronazione di Poppea

NEC's Jordan Hall

+Friday, Apr 26
7:30 PM

+Sunday, Apr 28
3:00 PM

The semi-staged production will present a compelling new performing version of the work by Martin Pearlman, and features Boston favorite soprano Amanda Forsythe in the title role, joined by the Boston Baroque debut of countertenor superstar Anthony Roth Costanzo as Nero, and contralto Emily Marvosh as Ottavia, with stage direction by Tara Faircloth.


Arias for Soprano

"Linz" Symphony No. 36 in D


Symphony No. 102 in B flat

Jordan Hall at New England Conservatory

+Friday, Oct 25
8:00 pm

+Sunday, Oct 27
3:00 pm

Opera meets symphony in our season opener, featuring Boston’s beloved soprano Amanda Forsythe. Hear two stellar Classical symphonies–Mozart’s “Linz” Symphony No. 36 in C and Haydn’s Symphony No. 102 in B flat– paired with a set of virtuosic arias sure to dazzle–“Barbaro, o Dio, mi vedi” from Il re pastore, “Ruhe sanft, mein holdes Leben” from Zaide, “Bella mia fiamma, addio,” and “Anna, m’ascolta” from Haydn’s seldom-performed oratorio Il ritorno di Tobia.

As Susan Miron writes for the Boston Musical Intelligencer “Amanda Forsythe’s impressive coloratura, breathtaking melismas, charming stage manner and apparent ease of execution reminded me of the young Kathleen Battle.”



Jordan Hall at New England Conservatory

+Friday, Dec 6
7:30 pm

+Saturday, Dec 7
7:30 pm

Ring in the holiday’s with Boston Baroque’s celebrated annual holiday tradition, Handel’s Messiah!

Martin Pearlman‘s Grammy-nominated interpretation will feature four of Boston Baroque’s most beloved soloists: Amanda Forsythe, soprano; Ann McMahon Quintero, mezzo-soprano; Thomas Cooley, tenor; and Andrew Garland, baritone.

“Ann McMahon Quintero, whose clear, straight tone and beautiful diction enhanced the expressiveness of the arias.” The Boston Musical Intelligencer




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